By Judy & Dave Peterson
Книга по выпиливанию головоломок из дерева, 50 проектов с пошаговыми инструкциями. Показаны образцы многочисленных животных, включая аллигатора, карибу, медведя панды, игривую сцену четырех кошек, гончей, и кокер-спаниеля, каждый проект включает цветные фотографии законченных головоломок.
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Extra resources for Animal Puzzles for the Scroll Saw: Newly Revised Expanded, Now 50 Projects in Wood
These miscellaneous flaws serve to remind the observer of the porcelain doll's human, and therefore imperfect, original. The most vivid sign of the natural world is that "her stomach was the same as when she was alive, protruding upwardsrather unnatural for a porcelain doll" (Tolstoy 35). As it turns out, Sonya is pregnant, and her husband wonders whether her various metamorphoses might not harm the child. Sonya's pregnancy, in the inanimate world of the doll and figurine, is a signifier of ''all the advantages and disadvantages of that [the human, corporeal] condition'' (Tolstoy 33).
This approach takes into account the element of self-knowledge that the reflection or the double yields. Not just the traditional "harbinger of death," the double may also herald self-awareness. A case in point, the complex impulses of animated fictional creations such as Carter's "Lady Purple" demand an analysis more elaborate than those which identify them as metaphysical emissaries of death. However, Carter's fiction does take into account the automaton's connections with Page 15 the world of the dead, and so does Stewart's theory of the miniature, which describes a duality that is similar to the traditional double's ability to cross boundaries and to participate in either mode of existence.
Created in Our Image: The Miniature Body of the Doll as Subject and Object 9 2. Creating/Erasing the Other: The Double in Mary Shelley and E. T. A. Hoffman, and the Automaton in the Nineteenth Century 30 3. The Doll as Icon: The Semiotics of the Subject in W. B. Yeats and D. H. Lawrence 65 4. Contemporary Narratives of Abjection and Imperfection: The Body of the Doll in Landolfi, O'Brien, and Atwood 98 5. Heimlich/Unheimlich: Interiority, Perfection, and the Uncanny in Katherine Mansfield and Angela Carter 130 Notes 175 Works Cited 191 Index 197 Page 9 1 Created in Our Image: The Miniature Body of the Doll as Subject and Object Little attention has been given to the problematic role played by the handmade doubles, the three-dimensional, tangible figures such as dolls and puppets that fictional characters and craftsmen create in their own images.